DramaThe Tempest
William ShakespeareA storm, an island and a father who must choose between revenge and letting go. Directed by Miriam Okonjo with a live score for cello and voice.
Nine productions. Three stages. One velvet-lined room that has been raising its curtain every night since the year the Titanic was built.

Miriam Okonjo’s Tempest puts a cellist in the rigging, a shipwreck in the stalls and Harold Okafor’s Prospero at the still centre of it all.
DramaA storm, an island and a father who must choose between revenge and letting go. Directed by Miriam Okonjo with a live score for cello and voice.
DramaNora Helmer’s door slam, heard in a 120-seat room where you can see every flicker of doubt.
DanceThirty-two swans, a full pit orchestra and the most romantic December tradition in the city.
DramaWilly Loman’s last week, staged on a turntable set that keeps the past only ever one revolution away.
MusicalPatter songs at full tilt, a modern major-general and a chorus of thirty. Pure, foot-tapping joy.
FamilyFairies, lovers and a donkey-headed weaver in a 75-minute romp for anyone aged six and up.
Doors open ninety minutes before curtain. Here’s how regulars do it.

Small plates, a short cocktail list and the best people-watching in Mount Vernon. Order your interval drinks before the show.

Every ticket is a specific seat you picked yourself on our map — from the front row of the stalls to the gods.

After every Thursday performance the cast returns to the stage to answer your questions. Free with any ticket.
“A Tempest that genuinely storms — the most thrilling night I have spent in a Baltimore theatre in a decade.”
“The Stagelight remains the city’s most beautiful room, and lately its bravest.”
“You leave humming the patter songs and grinning like a child. Book now.”
Subscribers save up to 30%, swap dates for free and get first pick of seats for every production — two weeks before public booking opens.


Our scenic artists spent nine weeks and 140 litres of paint on a single sky cloth.

Musical director Owen Park on the oldest instrument in the building.

Cellist Ana Ruiz on writing for one instrument and an entire tempest.
Choose your exact seat on our live seat map — no booking fees for members, ever.